{"id":1168,"date":"2025-06-17T04:43:47","date_gmt":"2025-06-17T04:43:47","guid":{"rendered":"https:\/\/spaudiovisualhub.com.br\/?page_id=1168"},"modified":"2025-07-07T21:11:44","modified_gmt":"2025-07-07T21:11:44","slug":"debates","status":"publish","type":"page","link":"https:\/\/2025.spaudiovisualhub.com.br\/en\/debates\/","title":{"rendered":"Debates"},"content":{"rendered":"<div data-elementor-type=\"wp-page\" data-elementor-id=\"1168\" class=\"elementor elementor-1168\" data-elementor-post-type=\"page\">\n\t\t\t\t<div class=\"elementor-element elementor-element-22e01427 e-flex e-con-boxed wpr-particle-no wpr-jarallax-no wpr-parallax-no wpr-sticky-section-no e-con e-parent\" data-id=\"22e01427\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-ba4ac55 elementor-widget elementor-widget-heading\" data-id=\"ba4ac55\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h1 class=\"elementor-heading-title elementor-size-default\">Debates<\/h1>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-c7bfda7 animated-slow elementor-invisible elementor-widget elementor-widget-image\" data-id=\"c7bfda7\" data-element_type=\"widget\" data-e-type=\"widget\" data-settings=\"{&quot;_animation&quot;:&quot;fadeIn&quot;}\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<img fetchpriority=\"high\" decoding=\"async\" width=\"1200\" height=\"249\" src=\"https:\/\/2025.spaudiovisualhub.com.br\/wp-content\/uploads\/2025\/06\/img_debates.png\" class=\"attachment-full size-full wp-image-1170\" alt=\"\" srcset=\"https:\/\/2025.spaudiovisualhub.com.br\/wp-content\/uploads\/2025\/06\/img_debates.png 1200w, https:\/\/2025.spaudiovisualhub.com.br\/wp-content\/uploads\/2025\/06\/img_debates-300x62.png 300w, https:\/\/2025.spaudiovisualhub.com.br\/wp-content\/uploads\/2025\/06\/img_debates-1024x212.png 1024w, https:\/\/2025.spaudiovisualhub.com.br\/wp-content\/uploads\/2025\/06\/img_debates-768x159.png 768w, https:\/\/2025.spaudiovisualhub.com.br\/wp-content\/uploads\/2025\/06\/img_debates-18x4.png 18w\" sizes=\"(max-width: 1200px) 100vw, 1200px\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-95e3f23 e-flex e-con-boxed wpr-particle-no wpr-jarallax-no wpr-parallax-no wpr-sticky-section-no elementor-invisible e-con e-parent\" data-id=\"95e3f23\" data-element_type=\"container\" data-e-type=\"container\" data-settings=\"{&quot;animation&quot;:&quot;fadeIn&quot;}\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-f7ad68d elementor-widget elementor-widget-n-accordion\" data-id=\"f7ad68d\" data-element_type=\"widget\" data-e-type=\"widget\" data-settings=\"{&quot;default_state&quot;:&quot;expanded&quot;,&quot;max_items_expended&quot;:&quot;one&quot;,&quot;n_accordion_animation_duration&quot;:{&quot;unit&quot;:&quot;ms&quot;,&quot;size&quot;:400,&quot;sizes&quot;:[]}}\" data-widget_type=\"nested-accordion.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"e-n-accordion\" aria-label=\"S\u00e3o Paulo Audiovisual Internationalization Policies: S\u00e3o Paulo Secretary of Culture, Cinema do Brasil, SP Cine and Sebrae | July 10 - 12:00 to 1:30pm\">\n\t\t\t\t\t\t<details id=\"e-n-accordion-item-2590\" class=\"e-n-accordion-item\" open>\n\t\t\t\t<summary class=\"e-n-accordion-item-title\" data-accordion-index=\"1\" tabindex=\"0\" aria-expanded=\"true\" aria-controls=\"e-n-accordion-item-2590\" >\n\t\t\t\t\t<span class='e-n-accordion-item-title-header'><div class=\"e-n-accordion-item-title-text\"> Paths to co-production |  July 7, 10:00am to 11:30am <\/div><\/span>\n\t\t\t\t\t\t\t<span class='e-n-accordion-item-title-icon'>\n\t\t\t<span class='e-opened' ><svg aria-hidden=\"true\" class=\"e-font-icon-svg e-fas-minus\" viewbox=\"0 0 448 512\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M416 208H32c-17.67 0-32 14.33-32 32v32c0 17.67 14.33 32 32 32h384c17.67 0 32-14.33 32-32v-32c0-17.67-14.33-32-32-32z\"><\/path><\/svg><\/span>\n\t\t\t<span class='e-closed'><svg aria-hidden=\"true\" class=\"e-font-icon-svg e-fas-plus\" viewbox=\"0 0 448 512\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M416 208H272V64c0-17.67-14.33-32-32-32h-32c-17.67 0-32 14.33-32 32v144H32c-17.67 0-32 14.33-32 32v32c0 17.67 14.33 32 32 32h144v144c0 17.67 14.33 32 32 32h32c17.67 0 32-14.33 32-32V304h144c17.67 0 32-14.33 32-32v-32c0-17.67-14.33-32-32-32z\"><\/path><\/svg><\/span>\n\t\t<\/span>\n\n\t\t\t\t\t\t<\/summary>\n\t\t\t\t<div role=\"region\" aria-labelledby=\"e-n-accordion-item-2590\" class=\"elementor-element elementor-element-6ee8e83 e-con-full e-flex wpr-particle-no wpr-jarallax-no wpr-parallax-no wpr-sticky-section-no e-con e-child\" data-id=\"6ee8e83\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t<div class=\"elementor-element elementor-element-25fb2f6 elementor-widget elementor-widget-heading\" data-id=\"25fb2f6\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\">In the international ecosystems of funds and channels, there are many opportunities for financing, co-production, development and licensing. The paths to co-production require an extensive understanding of these networks. This debate invites fund representatives and producers from some of the main global institutions to talk about their models and expectations.<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-23c58d5 elementor-widget elementor-widget-text-editor\" data-id=\"23c58d5\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p><span style=\"font-weight: 400;\">SPEAKERS:<br \/><\/span><strong>Ana Marques (Portugal Film Commission)<br \/>Paulo de Carvalho (Autentika Films)<br \/>Julian Haisch (Lemming Films)<br \/>Walid Nakschbandi (Film-und Medien Stiftung NRW)<\/strong><span style=\"font-weight: 400;\"><br \/><\/span><\/p><p><span style=\"font-weight: 400;\">MODERATOR: <\/span><span style=\"font-weight: 400;\"><br \/><\/span><strong>Flavia Guerra<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/details>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-e31ec49 e-flex e-con-boxed wpr-particle-no wpr-jarallax-no wpr-parallax-no wpr-sticky-section-no elementor-invisible e-con e-parent\" data-id=\"e31ec49\" data-element_type=\"container\" data-e-type=\"container\" data-settings=\"{&quot;animation&quot;:&quot;fadeIn&quot;}\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-5271835 elementor-widget elementor-widget-n-accordion\" data-id=\"5271835\" data-element_type=\"widget\" data-e-type=\"widget\" data-settings=\"{&quot;default_state&quot;:&quot;all_collapsed&quot;,&quot;max_items_expended&quot;:&quot;one&quot;,&quot;n_accordion_animation_duration&quot;:{&quot;unit&quot;:&quot;ms&quot;,&quot;size&quot;:400,&quot;sizes&quot;:[]}}\" data-widget_type=\"nested-accordion.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"e-n-accordion\" aria-label=\"S\u00e3o Paulo Audiovisual Internationalization Policies: S\u00e3o Paulo Secretary of Culture, Cinema do Brasil, SP Cine and Sebrae | July 10 - 12:00 to 1:30pm\">\n\t\t\t\t\t\t<details id=\"e-n-accordion-item-8640\" class=\"e-n-accordion-item\" >\n\t\t\t\t<summary class=\"e-n-accordion-item-title\" data-accordion-index=\"1\" tabindex=\"0\" aria-expanded=\"false\" aria-controls=\"e-n-accordion-item-8640\" >\n\t\t\t\t\t<span class='e-n-accordion-item-title-header'><div class=\"e-n-accordion-item-title-text\"> Producing with purpose: audience design during development - TorinoFilmLab | July 7, 12:00 to 1:30pm <\/div><\/span>\n\t\t\t\t\t\t\t<span class='e-n-accordion-item-title-icon'>\n\t\t\t<span class='e-opened' ><svg aria-hidden=\"true\" class=\"e-font-icon-svg e-fas-minus\" viewbox=\"0 0 448 512\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M416 208H32c-17.67 0-32 14.33-32 32v32c0 17.67 14.33 32 32 32h384c17.67 0 32-14.33 32-32v-32c0-17.67-14.33-32-32-32z\"><\/path><\/svg><\/span>\n\t\t\t<span class='e-closed'><svg aria-hidden=\"true\" class=\"e-font-icon-svg e-fas-plus\" viewbox=\"0 0 448 512\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M416 208H272V64c0-17.67-14.33-32-32-32h-32c-17.67 0-32 14.33-32 32v144H32c-17.67 0-32 14.33-32 32v32c0 17.67 14.33 32 32 32h144v144c0 17.67 14.33 32 32 32h32c17.67 0 32-14.33 32-32V304h144c17.67 0 32-14.33 32-32v-32c0-17.67-14.33-32-32-32z\"><\/path><\/svg><\/span>\n\t\t<\/span>\n\n\t\t\t\t\t\t<\/summary>\n\t\t\t\t<div role=\"region\" aria-labelledby=\"e-n-accordion-item-8640\" class=\"elementor-element elementor-element-3615b70 e-con-full e-flex wpr-particle-no wpr-jarallax-no wpr-parallax-no wpr-sticky-section-no e-con e-child\" data-id=\"3615b70\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t<div class=\"elementor-element elementor-element-086ffad elementor-widget elementor-widget-heading\" data-id=\"086ffad\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\">New habits and forms of media consumption pose a challenge for independent productions: how do you locate and communicate with your target audience? This debate presents case studies and possible ways of communicating and engaging audiences on various media platforms.<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-dcf161e elementor-widget elementor-widget-text-editor\" data-id=\"dcf161e\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p><span style=\"font-weight: 400;\">SPEAKER:<br \/><\/span><strong>S\u00edle Culley (TorinoFilmLab representative)<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/details>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-61eea20 e-flex e-con-boxed wpr-particle-no wpr-jarallax-no wpr-parallax-no wpr-sticky-section-no elementor-invisible e-con e-parent\" data-id=\"61eea20\" data-element_type=\"container\" data-e-type=\"container\" data-settings=\"{&quot;animation&quot;:&quot;fadeIn&quot;}\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-6c5fcb9 elementor-widget elementor-widget-n-accordion\" data-id=\"6c5fcb9\" data-element_type=\"widget\" data-e-type=\"widget\" data-settings=\"{&quot;default_state&quot;:&quot;all_collapsed&quot;,&quot;max_items_expended&quot;:&quot;one&quot;,&quot;n_accordion_animation_duration&quot;:{&quot;unit&quot;:&quot;ms&quot;,&quot;size&quot;:400,&quot;sizes&quot;:[]}}\" data-widget_type=\"nested-accordion.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"e-n-accordion\" aria-label=\"S\u00e3o Paulo Audiovisual Internationalization Policies: S\u00e3o Paulo Secretary of Culture, Cinema do Brasil, SP Cine and Sebrae | July 10 - 12:00 to 1:30pm\">\n\t\t\t\t\t\t<details id=\"e-n-accordion-item-1130\" class=\"e-n-accordion-item\" >\n\t\t\t\t<summary class=\"e-n-accordion-item-title\" data-accordion-index=\"1\" tabindex=\"0\" aria-expanded=\"false\" aria-controls=\"e-n-accordion-item-1130\" >\n\t\t\t\t\t<span class='e-n-accordion-item-title-header'><div class=\"e-n-accordion-item-title-text\"> The Dual Blind Spot: How Human Stereotyping and Artificial Intelligence Biases Shape Our Understanding of Film Audiences - TorinoFilmLab | July 8, 10:00am to 11:30am <\/div><\/span>\n\t\t\t\t\t\t\t<span class='e-n-accordion-item-title-icon'>\n\t\t\t<span class='e-opened' ><svg aria-hidden=\"true\" class=\"e-font-icon-svg e-fas-minus\" viewbox=\"0 0 448 512\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M416 208H32c-17.67 0-32 14.33-32 32v32c0 17.67 14.33 32 32 32h384c17.67 0 32-14.33 32-32v-32c0-17.67-14.33-32-32-32z\"><\/path><\/svg><\/span>\n\t\t\t<span class='e-closed'><svg aria-hidden=\"true\" class=\"e-font-icon-svg e-fas-plus\" viewbox=\"0 0 448 512\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M416 208H272V64c0-17.67-14.33-32-32-32h-32c-17.67 0-32 14.33-32 32v144H32c-17.67 0-32 14.33-32 32v32c0 17.67 14.33 32 32 32h144v144c0 17.67 14.33 32 32 32h32c17.67 0 32-14.33 32-32V304h144c17.67 0 32-14.33 32-32v-32c0-17.67-14.33-32-32-32z\"><\/path><\/svg><\/span>\n\t\t<\/span>\n\n\t\t\t\t\t\t<\/summary>\n\t\t\t\t<div role=\"region\" aria-labelledby=\"e-n-accordion-item-1130\" class=\"elementor-element elementor-element-98c80d2 e-con-full e-flex wpr-particle-no wpr-jarallax-no wpr-parallax-no wpr-sticky-section-no e-con e-child\" data-id=\"98c80d2\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t<div class=\"elementor-element elementor-element-771fa30 elementor-widget elementor-widget-heading\" data-id=\"771fa30\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\">Artificial intelligence, together with other technological advances, has the potential to affect the entire production chain in the audiovisual sector, producing opportunities and challenges for the industry. This debate focuses on the issue of distribution and promotion: what are the immediate and long-term impacts for this activity?<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-99c4a6e elementor-widget elementor-widget-text-editor\" data-id=\"99c4a6e\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p><span style=\"font-weight: 400;\">SPEAKER:<br \/><\/span><strong>Nicol\u00f2 Gallio (TorinoFilmLab representative)<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/details>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-d181b85 e-flex e-con-boxed wpr-particle-no wpr-jarallax-no wpr-parallax-no wpr-sticky-section-no elementor-invisible e-con e-parent\" data-id=\"d181b85\" data-element_type=\"container\" data-e-type=\"container\" data-settings=\"{&quot;animation&quot;:&quot;fadeIn&quot;}\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-aed8c92 elementor-widget elementor-widget-n-accordion\" data-id=\"aed8c92\" data-element_type=\"widget\" data-e-type=\"widget\" data-settings=\"{&quot;default_state&quot;:&quot;all_collapsed&quot;,&quot;max_items_expended&quot;:&quot;one&quot;,&quot;n_accordion_animation_duration&quot;:{&quot;unit&quot;:&quot;ms&quot;,&quot;size&quot;:400,&quot;sizes&quot;:[]}}\" data-widget_type=\"nested-accordion.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"e-n-accordion\" aria-label=\"S\u00e3o Paulo Audiovisual Internationalization Policies: S\u00e3o Paulo Secretary of Culture, Cinema do Brasil, SP Cine and Sebrae | July 10 - 12:00 to 1:30pm\">\n\t\t\t\t\t\t<details id=\"e-n-accordion-item-1830\" class=\"e-n-accordion-item\" >\n\t\t\t\t<summary class=\"e-n-accordion-item-title\" data-accordion-index=\"1\" tabindex=\"0\" aria-expanded=\"false\" aria-controls=\"e-n-accordion-item-1830\" >\n\t\t\t\t\t<span class='e-n-accordion-item-title-header'><div class=\"e-n-accordion-item-title-text\"> Short Circuit: Short Film Exhibition and Marketing Windows | July 8, 3:00pm to 4:30pm <\/div><\/span>\n\t\t\t\t\t\t\t<span class='e-n-accordion-item-title-icon'>\n\t\t\t<span class='e-opened' ><svg aria-hidden=\"true\" class=\"e-font-icon-svg e-fas-minus\" viewbox=\"0 0 448 512\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M416 208H32c-17.67 0-32 14.33-32 32v32c0 17.67 14.33 32 32 32h384c17.67 0 32-14.33 32-32v-32c0-17.67-14.33-32-32-32z\"><\/path><\/svg><\/span>\n\t\t\t<span class='e-closed'><svg aria-hidden=\"true\" class=\"e-font-icon-svg e-fas-plus\" viewbox=\"0 0 448 512\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M416 208H272V64c0-17.67-14.33-32-32-32h-32c-17.67 0-32 14.33-32 32v144H32c-17.67 0-32 14.33-32 32v32c0 17.67 14.33 32 32 32h144v144c0 17.67 14.33 32 32 32h32c17.67 0 32-14.33 32-32V304h144c17.67 0 32-14.33 32-32v-32c0-17.67-14.33-32-32-32z\"><\/path><\/svg><\/span>\n\t\t<\/span>\n\n\t\t\t\t\t\t<\/summary>\n\t\t\t\t<div role=\"region\" aria-labelledby=\"e-n-accordion-item-1830\" class=\"elementor-element elementor-element-63e4663 e-con-full e-flex wpr-particle-no wpr-jarallax-no wpr-parallax-no wpr-sticky-section-no e-con e-child\" data-id=\"63e4663\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t<div class=\"elementor-element elementor-element-6282c15 elementor-widget elementor-widget-heading\" data-id=\"6282c15\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\">Short films are an important part of the audiovisual ecosystem. They represent a space not only for training, but also for experimentation, creation and dissemination. This debate focuses on the paths and challenges of short film exhibition windows.<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-4bdeac9 elementor-widget elementor-widget-text-editor\" data-id=\"4bdeac9\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p><span style=\"font-weight: 400;\">SPEAKERS:<br \/><\/span><strong>Jaime E. Manrique (Bogoshorts Short Film Festival)<br \/>J\u00e9r\u00e9my Laurichesse (Clermont-Ferrand Short Film Festival)<br \/>Jos\u00e9 Gil (Chileshorts)<br \/>Juan Andr\u00e9s Belo (Ventana Sur)<br \/>Yeniffer Fasciani (FeelSales)<\/strong><span style=\"font-weight: 400;\"><br \/><\/span><\/p><p><span style=\"font-weight: 400;\">MODERATOR:<\/span><span style=\"font-weight: 400;\"><br \/><\/span><strong>Marcio Miranda Perez (Kinoforum)<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/details>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-ce373cb e-flex e-con-boxed wpr-particle-no wpr-jarallax-no wpr-parallax-no wpr-sticky-section-no elementor-invisible e-con e-parent\" data-id=\"ce373cb\" data-element_type=\"container\" data-e-type=\"container\" data-settings=\"{&quot;animation&quot;:&quot;fadeIn&quot;}\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-358309c elementor-widget elementor-widget-n-accordion\" data-id=\"358309c\" data-element_type=\"widget\" data-e-type=\"widget\" data-settings=\"{&quot;default_state&quot;:&quot;all_collapsed&quot;,&quot;max_items_expended&quot;:&quot;one&quot;,&quot;n_accordion_animation_duration&quot;:{&quot;unit&quot;:&quot;ms&quot;,&quot;size&quot;:400,&quot;sizes&quot;:[]}}\" data-widget_type=\"nested-accordion.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"e-n-accordion\" aria-label=\"S\u00e3o Paulo Audiovisual Internationalization Policies: S\u00e3o Paulo Secretary of Culture, Cinema do Brasil, SP Cine and Sebrae | July 10 - 12:00 to 1:30pm\">\n\t\t\t\t\t\t<details id=\"e-n-accordion-item-5610\" class=\"e-n-accordion-item\" >\n\t\t\t\t<summary class=\"e-n-accordion-item-title\" data-accordion-index=\"1\" tabindex=\"0\" aria-expanded=\"false\" aria-controls=\"e-n-accordion-item-5610\" >\n\t\t\t\t\t<span class='e-n-accordion-item-title-header'><div class=\"e-n-accordion-item-title-text\">  Producing and Exhibiting Documentaries: from Development to Distribution | July 9, 12:00 to 1:30pm  <\/div><\/span>\n\t\t\t\t\t\t\t<span class='e-n-accordion-item-title-icon'>\n\t\t\t<span class='e-opened' ><svg aria-hidden=\"true\" class=\"e-font-icon-svg e-fas-minus\" viewbox=\"0 0 448 512\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M416 208H32c-17.67 0-32 14.33-32 32v32c0 17.67 14.33 32 32 32h384c17.67 0 32-14.33 32-32v-32c0-17.67-14.33-32-32-32z\"><\/path><\/svg><\/span>\n\t\t\t<span class='e-closed'><svg aria-hidden=\"true\" class=\"e-font-icon-svg e-fas-plus\" viewbox=\"0 0 448 512\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M416 208H272V64c0-17.67-14.33-32-32-32h-32c-17.67 0-32 14.33-32 32v144H32c-17.67 0-32 14.33-32 32v32c0 17.67 14.33 32 32 32h144v144c0 17.67 14.33 32 32 32h32c17.67 0 32-14.33 32-32V304h144c17.67 0 32-14.33 32-32v-32c0-17.67-14.33-32-32-32z\"><\/path><\/svg><\/span>\n\t\t<\/span>\n\n\t\t\t\t\t\t<\/summary>\n\t\t\t\t<div role=\"region\" aria-labelledby=\"e-n-accordion-item-5610\" class=\"elementor-element elementor-element-8f9e18e e-con-full e-flex wpr-particle-no wpr-jarallax-no wpr-parallax-no wpr-sticky-section-no e-con e-child\" data-id=\"8f9e18e\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t<div class=\"elementor-element elementor-element-38c4b37 elementor-widget elementor-widget-text-editor\" data-id=\"38c4b37\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p>The chain of production and promotion of documentaries, from development to distribution, has several particularities that deserve special attention. From financing models to exhibition circuits, including training spaces and laboratories, the documentary windows offer multiple opportunities to explore cinematographic languages and audiovisual business models.<\/p><p><span style=\"font-weight: 400;\">SPEAKERS:<\/span><span style=\"font-weight: 400;\"><br \/><\/span><strong>Gugi Gumilang (In-Docs | Hot Docs)<br \/>Jason Marcus Resnick (Autlook Film Sales)<br \/>Walter Tiepelmann (FIDBA\/MAFIZ)<br \/>Marina da Costa Thome (DocLisboa)<br \/>Thomas Micoulet (Haut les Mains)<\/strong><\/p><p><span style=\"font-weight: 400;\">MODERATOR:<\/span><span style=\"font-weight: 400;\"><br \/><\/span><strong>Luis Gonz\u00e1lez Zaffaroni (DOCSP)<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/details>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-abd17cd e-flex e-con-boxed wpr-particle-no wpr-jarallax-no wpr-parallax-no wpr-sticky-section-no elementor-invisible e-con e-parent\" data-id=\"abd17cd\" data-element_type=\"container\" data-e-type=\"container\" data-settings=\"{&quot;animation&quot;:&quot;fadeIn&quot;}\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-eb49b30 elementor-widget elementor-widget-n-accordion\" data-id=\"eb49b30\" data-element_type=\"widget\" data-e-type=\"widget\" data-settings=\"{&quot;default_state&quot;:&quot;all_collapsed&quot;,&quot;max_items_expended&quot;:&quot;one&quot;,&quot;n_accordion_animation_duration&quot;:{&quot;unit&quot;:&quot;ms&quot;,&quot;size&quot;:400,&quot;sizes&quot;:[]}}\" data-widget_type=\"nested-accordion.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"e-n-accordion\" aria-label=\"S\u00e3o Paulo Audiovisual Internationalization Policies: S\u00e3o Paulo Secretary of Culture, Cinema do Brasil, SP Cine and Sebrae | July 10 - 12:00 to 1:30pm\">\n\t\t\t\t\t\t<details id=\"e-n-accordion-item-2460\" class=\"e-n-accordion-item\" >\n\t\t\t\t<summary class=\"e-n-accordion-item-title\" data-accordion-index=\"1\" tabindex=\"0\" aria-expanded=\"false\" aria-controls=\"e-n-accordion-item-2460\" >\n\t\t\t\t\t<span class='e-n-accordion-item-title-header'><div class=\"e-n-accordion-item-title-text\"> Brazil in the World: Brazilian Cinema and International Markets | July 9, 5pm to 6:30pm <\/div><\/span>\n\t\t\t\t\t\t\t<span class='e-n-accordion-item-title-icon'>\n\t\t\t<span class='e-opened' ><svg aria-hidden=\"true\" class=\"e-font-icon-svg e-fas-minus\" viewbox=\"0 0 448 512\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M416 208H32c-17.67 0-32 14.33-32 32v32c0 17.67 14.33 32 32 32h384c17.67 0 32-14.33 32-32v-32c0-17.67-14.33-32-32-32z\"><\/path><\/svg><\/span>\n\t\t\t<span class='e-closed'><svg aria-hidden=\"true\" class=\"e-font-icon-svg e-fas-plus\" viewbox=\"0 0 448 512\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M416 208H272V64c0-17.67-14.33-32-32-32h-32c-17.67 0-32 14.33-32 32v144H32c-17.67 0-32 14.33-32 32v32c0 17.67 14.33 32 32 32h144v144c0 17.67 14.33 32 32 32h32c17.67 0 32-14.33 32-32V304h144c17.67 0 32-14.33 32-32v-32c0-17.67-14.33-32-32-32z\"><\/path><\/svg><\/span>\n\t\t<\/span>\n\n\t\t\t\t\t\t<\/summary>\n\t\t\t\t<div role=\"region\" aria-labelledby=\"e-n-accordion-item-2460\" class=\"elementor-element elementor-element-df2a373 e-con-full e-flex wpr-particle-no wpr-jarallax-no wpr-parallax-no wpr-sticky-section-no e-con e-child\" data-id=\"df2a373\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t<div class=\"elementor-element elementor-element-9e9bc15 elementor-widget elementor-widget-heading\" data-id=\"9e9bc15\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\">In a year of many achievements, Brazilian films were highlighted in the main movie theaters around the world. From an international perspective, from festivals to distributors, how strong is the presence of Brazilian production in global markets?<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-5dbb8c3 elementor-widget elementor-widget-text-editor\" data-id=\"5dbb8c3\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p><span style=\"font-weight: 400;\">SPEAKERS:<\/span><span style=\"font-weight: 400;\"><br \/><\/span><strong>Susana Santos Rodrigues (International Film Festival Rotterdam and Indie Lisboa)<br \/>Francisco Zambrano (mk2 Films)<br \/>Jacqueline Nsiah (Berlinale)<br \/>Gerardo Michelin (LatAm Cinema)<\/strong><\/p><p><span style=\"font-weight: 400;\">MODERATOR:<\/span><span style=\"font-weight: 400;\"><br \/><\/span><strong>Laura Rossi (MUV Capital)<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/details>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-952b24f e-flex e-con-boxed wpr-particle-no wpr-jarallax-no wpr-parallax-no wpr-sticky-section-no elementor-invisible e-con e-parent\" data-id=\"952b24f\" data-element_type=\"container\" data-e-type=\"container\" data-settings=\"{&quot;animation&quot;:&quot;fadeIn&quot;}\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-5383891 elementor-widget elementor-widget-n-accordion\" data-id=\"5383891\" data-element_type=\"widget\" data-e-type=\"widget\" data-settings=\"{&quot;default_state&quot;:&quot;all_collapsed&quot;,&quot;max_items_expended&quot;:&quot;one&quot;,&quot;n_accordion_animation_duration&quot;:{&quot;unit&quot;:&quot;ms&quot;,&quot;size&quot;:400,&quot;sizes&quot;:[]}}\" data-widget_type=\"nested-accordion.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"e-n-accordion\" aria-label=\"S\u00e3o Paulo Audiovisual Internationalization Policies: S\u00e3o Paulo Secretary of Culture, Cinema do Brasil, SP Cine and Sebrae | July 10 - 12:00 to 1:30pm\">\n\t\t\t\t\t\t<details id=\"e-n-accordion-item-8750\" class=\"e-n-accordion-item\" >\n\t\t\t\t<summary class=\"e-n-accordion-item-title\" data-accordion-index=\"1\" tabindex=\"0\" aria-expanded=\"false\" aria-controls=\"e-n-accordion-item-8750\" >\n\t\t\t\t\t<span class='e-n-accordion-item-title-header'><div class=\"e-n-accordion-item-title-text\"> S\u00e3o Paulo Audiovisual Internationalization Policies: S\u00e3o Paulo Secretary of Culture, Spcine and Sebrae | July 10 - 12:00 to 1:30pm <\/div><\/span>\n\t\t\t\t\t\t\t<span class='e-n-accordion-item-title-icon'>\n\t\t\t<span class='e-opened' ><svg aria-hidden=\"true\" class=\"e-font-icon-svg e-fas-minus\" viewbox=\"0 0 448 512\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M416 208H32c-17.67 0-32 14.33-32 32v32c0 17.67 14.33 32 32 32h384c17.67 0 32-14.33 32-32v-32c0-17.67-14.33-32-32-32z\"><\/path><\/svg><\/span>\n\t\t\t<span class='e-closed'><svg aria-hidden=\"true\" class=\"e-font-icon-svg e-fas-plus\" viewbox=\"0 0 448 512\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M416 208H272V64c0-17.67-14.33-32-32-32h-32c-17.67 0-32 14.33-32 32v144H32c-17.67 0-32 14.33-32 32v32c0 17.67 14.33 32 32 32h144v144c0 17.67 14.33 32 32 32h32c17.67 0 32-14.33 32-32V304h144c17.67 0 32-14.33 32-32v-32c0-17.67-14.33-32-32-32z\"><\/path><\/svg><\/span>\n\t\t<\/span>\n\n\t\t\t\t\t\t<\/summary>\n\t\t\t\t<div role=\"region\" aria-labelledby=\"e-n-accordion-item-8750\" class=\"elementor-element elementor-element-72bb996 e-con-full e-flex wpr-particle-no wpr-jarallax-no wpr-parallax-no wpr-sticky-section-no e-con e-child\" data-id=\"72bb996\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t<div class=\"elementor-element elementor-element-9f0bcd7 elementor-widget elementor-widget-heading\" data-id=\"9f0bcd7\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\">S\u00e3o Paulo's audiovisual industry is one of the most consolidated and diverse in the country. From the capital to the interior and the coast, there are companies and economic agents that make and strengthen S\u00e3o Paulo's creative industry. From S\u00e3o Paulo to the world, this debate looks at some of the main initiatives for the international promotion of audiovisuals.<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-1ec3bbe elementor-widget elementor-widget-text-editor\" data-id=\"1ec3bbe\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p><span style=\"font-weight: 400;\">SPEAKERS:<\/span><span style=\"font-weight: 400;\"><br \/><\/span><strong>Marilia Marton (Secretariat of Culture, Economy and Creative Industry of S\u00e3o Paulo)<br \/>Lyara Oliveira (Spcine)<br \/>Nelson Hervey Costa (SEBRAE)<\/strong><span style=\"font-weight: 400;\"><br \/><\/span><\/p><p><span style=\"font-weight: 400;\">MODERATOR:<\/span><span style=\"font-weight: 400;\"><br \/><\/span><strong>Luiz Toledo (Producer, Filomena Produ\u00e7\u00f5es)<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/details>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-cf2e4af e-flex e-con-boxed wpr-particle-no wpr-jarallax-no wpr-parallax-no wpr-sticky-section-no elementor-invisible e-con e-parent\" data-id=\"cf2e4af\" data-element_type=\"container\" data-e-type=\"container\" data-settings=\"{&quot;animation&quot;:&quot;fadeIn&quot;}\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-b55d5a6 elementor-widget elementor-widget-n-accordion\" data-id=\"b55d5a6\" data-element_type=\"widget\" data-e-type=\"widget\" data-settings=\"{&quot;default_state&quot;:&quot;all_collapsed&quot;,&quot;max_items_expended&quot;:&quot;one&quot;,&quot;n_accordion_animation_duration&quot;:{&quot;unit&quot;:&quot;ms&quot;,&quot;size&quot;:400,&quot;sizes&quot;:[]}}\" data-widget_type=\"nested-accordion.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"e-n-accordion\" aria-label=\"S\u00e3o Paulo Audiovisual Internationalization Policies: S\u00e3o Paulo Secretary of Culture, Cinema do Brasil, SP Cine and Sebrae | July 10 - 12:00 to 1:30pm\">\n\t\t\t\t\t\t<details id=\"e-n-accordion-item-1900\" class=\"e-n-accordion-item\" >\n\t\t\t\t<summary class=\"e-n-accordion-item-title\" data-accordion-index=\"1\" tabindex=\"0\" aria-expanded=\"false\" aria-controls=\"e-n-accordion-item-1900\" >\n\t\t\t\t\t<span class='e-n-accordion-item-title-header'><div class=\"e-n-accordion-item-title-text\"> Filming in S\u00e3o Paulo: Production Attractions and Incentives | July 10, 5:00pm to 6:30pm <\/div><\/span>\n\t\t\t\t\t\t\t<span class='e-n-accordion-item-title-icon'>\n\t\t\t<span class='e-opened' ><svg aria-hidden=\"true\" class=\"e-font-icon-svg e-fas-minus\" viewbox=\"0 0 448 512\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M416 208H32c-17.67 0-32 14.33-32 32v32c0 17.67 14.33 32 32 32h384c17.67 0 32-14.33 32-32v-32c0-17.67-14.33-32-32-32z\"><\/path><\/svg><\/span>\n\t\t\t<span class='e-closed'><svg aria-hidden=\"true\" class=\"e-font-icon-svg e-fas-plus\" viewbox=\"0 0 448 512\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M416 208H272V64c0-17.67-14.33-32-32-32h-32c-17.67 0-32 14.33-32 32v144H32c-17.67 0-32 14.33-32 32v32c0 17.67 14.33 32 32 32h144v144c0 17.67 14.33 32 32 32h32c17.67 0 32-14.33 32-32V304h144c17.67 0 32-14.33 32-32v-32c0-17.67-14.33-32-32-32z\"><\/path><\/svg><\/span>\n\t\t<\/span>\n\n\t\t\t\t\t\t<\/summary>\n\t\t\t\t<div role=\"region\" aria-labelledby=\"e-n-accordion-item-1900\" class=\"elementor-element elementor-element-5888824 e-con-full e-flex wpr-particle-no wpr-jarallax-no wpr-parallax-no wpr-sticky-section-no e-con e-child\" data-id=\"5888824\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t<div class=\"elementor-element elementor-element-119605f elementor-widget elementor-widget-heading\" data-id=\"119605f\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\">S\u00e3o Paulo has numerous attractions for audiovisual production: diverse location possibilities, strategic opportunities, incentive policies and logistical infrastructure. This panel invites national and international executives to discuss their perspectives on production in the capital and the state.<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-3296eaf elementor-widget elementor-widget-text-editor\" data-id=\"3296eaf\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p><span style=\"font-weight: 400;\">SPEAKERS:<\/span><span style=\"font-weight: 400;\"><br \/><\/span><strong>Glenn Gaynor (Amazon Studios)<br \/>Jos\u00e9 Miguel \u00c1lvarez Ibarg\u00fcengoitia (IMCINE)<br \/>Ge\u00f3rgia Costa Ara\u00fajo (Cora\u00e7\u00e3o da Selva)<\/strong><\/p><p><span style=\"font-weight: 400;\">MODERATOR:<\/span><span style=\"font-weight: 400;\"><br \/><\/span><strong>Luiz Toledo<br \/>(Produtor, Filomena Produ\u00e7\u00f5es)<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/details>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-9a87be3 e-flex e-con-boxed wpr-particle-no wpr-jarallax-no wpr-parallax-no wpr-sticky-section-no elementor-invisible e-con e-parent\" data-id=\"9a87be3\" data-element_type=\"container\" data-e-type=\"container\" data-settings=\"{&quot;animation&quot;:&quot;fadeIn&quot;}\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-1c32812 elementor-widget elementor-widget-n-accordion\" data-id=\"1c32812\" data-element_type=\"widget\" data-e-type=\"widget\" data-settings=\"{&quot;default_state&quot;:&quot;all_collapsed&quot;,&quot;max_items_expended&quot;:&quot;one&quot;,&quot;n_accordion_animation_duration&quot;:{&quot;unit&quot;:&quot;ms&quot;,&quot;size&quot;:400,&quot;sizes&quot;:[]}}\" data-widget_type=\"nested-accordion.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"e-n-accordion\" aria-label=\"S\u00e3o Paulo Audiovisual Internationalization Policies: S\u00e3o Paulo Secretary of Culture, Cinema do Brasil, SP Cine and Sebrae | July 10 - 12:00 to 1:30pm\">\n\t\t\t\t\t\t<details id=\"e-n-accordion-item-2950\" class=\"e-n-accordion-item\" >\n\t\t\t\t<summary class=\"e-n-accordion-item-title\" data-accordion-index=\"1\" tabindex=\"0\" aria-expanded=\"false\" aria-controls=\"e-n-accordion-item-2950\" >\n\t\t\t\t\t<span class='e-n-accordion-item-title-header'><div class=\"e-n-accordion-item-title-text\"> Financing Models: from Public to Private | July 11, 12:00 to 1:30pm <\/div><\/span>\n\t\t\t\t\t\t\t<span class='e-n-accordion-item-title-icon'>\n\t\t\t<span class='e-opened' ><svg aria-hidden=\"true\" class=\"e-font-icon-svg e-fas-minus\" viewbox=\"0 0 448 512\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M416 208H32c-17.67 0-32 14.33-32 32v32c0 17.67 14.33 32 32 32h384c17.67 0 32-14.33 32-32v-32c0-17.67-14.33-32-32-32z\"><\/path><\/svg><\/span>\n\t\t\t<span class='e-closed'><svg aria-hidden=\"true\" class=\"e-font-icon-svg e-fas-plus\" viewbox=\"0 0 448 512\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M416 208H272V64c0-17.67-14.33-32-32-32h-32c-17.67 0-32 14.33-32 32v144H32c-17.67 0-32 14.33-32 32v32c0 17.67 14.33 32 32 32h144v144c0 17.67 14.33 32 32 32h32c17.67 0 32-14.33 32-32V304h144c17.67 0 32-14.33 32-32v-32c0-17.67-14.33-32-32-32z\"><\/path><\/svg><\/span>\n\t\t<\/span>\n\n\t\t\t\t\t\t<\/summary>\n\t\t\t\t<div role=\"region\" aria-labelledby=\"e-n-accordion-item-2950\" class=\"elementor-element elementor-element-5aaf77b e-con-full e-flex wpr-particle-no wpr-jarallax-no wpr-parallax-no wpr-sticky-section-no e-con e-child\" data-id=\"5aaf77b\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t<div class=\"elementor-element elementor-element-ed36db5 elementor-widget elementor-widget-heading\" data-id=\"ed36db5\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\">A conversation about some of the main instruments for financing audiovisual projects: from public notices, to private investment, to public-private models such as cash rebates, how do you recognize the best model for your project? How do you work with different sources of funding and what are the main challenges and advantages of each?<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-6f7e615 elementor-widget elementor-widget-text-editor\" data-id=\"6f7e615\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p><span style=\"font-weight: 400;\">SPEAKERS:<\/span><span style=\"font-weight: 400;\"><br \/><\/span><strong>Justin Lerner (La Danta Films)<br \/>Nicolas Piccato (CNC &#8211; Aides au Cin\u00e9ma du Monde)<br \/>Moritz Lauer (Wild Bunch)<br \/>Bernardo Lessa (Tanto Filmes)<\/strong><span style=\"font-weight: 400;\"><br \/><\/span><span style=\"font-weight: 400;\"><br \/><\/span><span style=\"font-weight: 400;\">MODERATOR:<\/span><span style=\"font-weight: 400;\"><br \/><\/span><strong>Laura Rossi<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/details>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"<p>Debates Caminhos da Coprodu\u00e7\u00e3o | 07\/07, das 10h \u00e0s 11h30 Nos ecossistemas internacionais de fundos e canais, h\u00e1 diversas oportunidades de financiamento, coprodu\u00e7\u00e3o, desenvolvimento e licenciamento. Os caminhos da coprodu\u00e7\u00e3o requerem uma extensa compreens\u00e3o dessas redes. Este debate convida representantes de fundos e produtores de algumas das principais institui\u00e7\u00f5es globais para conversar sobre seus modelos e expectativas. SPEAKERS:Ana Marques (Portugal Film Commission)Paulo de Carvalho (Autentika Films)Julian Haisch (Lemming Films)Walid Nakschbandi (Film-und Medien Stiftung NRW) MODERADORA: Flavia Guerra Nos ecossistemas internacionais de fundos e canais, h\u00e1 diversas oportunidades de financiamento, coprodu\u00e7\u00e3o, desenvolvimento e licenciamento. Os caminhos da coprodu\u00e7\u00e3o requerem uma extensa compreens\u00e3o dessas redes. Este debate convida representantes de fundos e produtores de algumas das principais institui\u00e7\u00f5es globais para conversar sobre seus modelos e expectativas. SPEAKERS:Ana Marques (Portugal Film Commission)Paulo de Carvalho (Autentika Films)Julian Haisch (Lemming Films)Walid Nakschbandi (Film-und Medien Stiftung NRW) MODERADORA: Flavia Guerra Produzindo com Prop\u00f3sito: Desenho de Audi\u00eancias na Fase de Desenvolvimento de um Projeto &#8211; Apresentado pelo TorinoFilmLab | 07\/07, das 12h \u00e0s 13h30 Novos h\u00e1bitos e formas de consumo de m\u00eddias provocam um desafio para produ\u00e7\u00f5es independentes: como localizar e comunicar com o seu p\u00fablico-alvo? Esse debate apresenta estudos de caso e caminhos poss\u00edveis para a comunica\u00e7\u00e3o e o engajamento de p\u00fablico em diversas plataformas midi\u00e1ticas.\u200b SPEAKER:S\u00edle Culley (Representante do TorinoFilmLab) Novos h\u00e1bitos e formas de consumo de m\u00eddias provocam um desafio para produ\u00e7\u00f5es independentes: como localizar e comunicar com o seu p\u00fablico-alvo? Esse debate apresenta estudos de caso e caminhos poss\u00edveis para a comunica\u00e7\u00e3o e o engajamento de p\u00fablico em diversas plataformas midi\u00e1ticas.\u200b SPEAKER:S\u00edle Culley (Representante do TorinoFilmLab) O Ponto Cego Duplo: Como os Estere\u00f3tipos Humanos e os Preconceitos da Intelig\u00eancia Artificial Moldam a Nossa Compreens\u00e3o do P\u00fablico de Cinema &#8211; Apresentado pelo TorinoFilmLab | 08 de julho, das 10h \u00e0s 11h30 A intelig\u00eancia artificial, em conjunto a outros avan\u00e7os tecnol\u00f3gicos, tem o potencial de afetar toda a cadeia produtiva do setor audiovisual, produzindo oportunidades e desafios para o setor. Este debate foca na quest\u00e3o da distribui\u00e7\u00e3o e promo\u00e7\u00e3o: quais s\u00e3o os impactos imediatos e de longo prazo para essa atividade? SPEAKER:Nicol\u00f2 Gallio (Representante do TorinoFilmLab) A intelig\u00eancia artificial, em conjunto a outros avan\u00e7os tecnol\u00f3gicos, tem o potencial de afetar toda a cadeia produtiva do setor audiovisual, produzindo oportunidades e desafios para o setor. Este debate foca na quest\u00e3o da distribui\u00e7\u00e3o e promo\u00e7\u00e3o: quais s\u00e3o os impactos imediatos e de longo prazo para essa atividade? SPEAKER:Nicol\u00f2 Gallio (Representante do TorinoFilmLab) Curta Circuito: Janelas de Exibi\u00e7\u00e3o e Comercializa\u00e7\u00e3o do Curta-Metragem | 08\/07, das 15h \u00e0s 16h30 Os curtas-metragens representam uma parte importante do ecossistema audiovisual. Representam um espa\u00e7o n\u00e3o apenas de forma\u00e7\u00e3o, mas de experimenta\u00e7\u00e3o de cria\u00e7\u00e3o e tamb\u00e9m de difus\u00e3o. Esse debate se debru\u00e7a sobre os caminhos e os desafios das janelas de exibi\u00e7\u00e3o de curtas. SPEAKERS:Jaime E. Manrique (Bogoshorts Short Film Festival)J\u00e9r\u00e9my Laurichesse (Clermont-Ferrand Short Film Festival)Jos\u00e9 Gil (Chileshorts)Juan Andr\u00e9s Belo (Ventana Sur)Yeniffer Fasciani (FeelSales) MODERADOR:Marcio Miranda Perez (Kinoforum) Os curtas-metragens representam uma parte importante do ecossistema audiovisual. Representam um espa\u00e7o n\u00e3o apenas de forma\u00e7\u00e3o, mas de experimenta\u00e7\u00e3o de cria\u00e7\u00e3o e tamb\u00e9m de difus\u00e3o. Esse debate se debru\u00e7a sobre os caminhos e os desafios das janelas de exibi\u00e7\u00e3o de curtas. SPEAKERS:Jaime E. Manrique (Bogoshorts Short Film Festival)J\u00e9r\u00e9my Laurichesse (Clermont-Ferrand Short Film Festival)Jos\u00e9 Gil (Chileshorts)Juan Andr\u00e9s Belo (Ventana Sur)Yeniffer Fasciani (FeelSales) MODERADOR:Marcio Miranda Perez (Kinoforum) Produzir e Exibir Document\u00e1rios: do Desenvolvimento \u00e0 Distribui\u00e7\u00e3o | 09\/07, das 12h \u00e0s 13h30 A cadeia de produ\u00e7\u00e3o e promo\u00e7\u00e3o dos document\u00e1rios, do desenvolvimento \u00e0 distribui\u00e7\u00e3o, possui diversas particularidades que merecem uma aten\u00e7\u00e3o especial. Dos modelos de financiamento aos circuitos de exibi\u00e7\u00e3o, incluindo os espa\u00e7os de forma\u00e7\u00e3o e laborat\u00f3rios, as janelas do document\u00e1rio oferecem m\u00faltiplas oportunidades para explorar linguagens cinematogr\u00e1ficas e modelos de neg\u00f3cio do audiovisual. SPEAKERS:Gugi Gumilang (In-Docs | Hot Docs)Jason Marcus Resnick (Autlook Film Sales)Walter Tiepelmann (FIDBA\/MAFIZ)Marina da Costa Thome (DocLisboa)Thomas Micoulet (Haut les Mains) MODERADOR:Luis Gonz\u00e1lez Zaffaroni (DOCSP) A cadeia de produ\u00e7\u00e3o e promo\u00e7\u00e3o dos document\u00e1rios, do desenvolvimento \u00e0 distribui\u00e7\u00e3o, possui diversas particularidades que merecem uma aten\u00e7\u00e3o especial. Dos modelos de financiamento aos circuitos de exibi\u00e7\u00e3o, incluindo os espa\u00e7os de forma\u00e7\u00e3o e laborat\u00f3rios, as janelas do document\u00e1rio oferecem m\u00faltiplas oportunidades para explorar linguagens cinematogr\u00e1ficas e modelos de neg\u00f3cio do audiovisual. SPEAKERS:Gugi Gumilang (In-Docs | Hot Docs)Jason Marcus Resnick (Autlook Film Sales)Walter Tiepelmann (FIDBA\/MAFIZ)Marina da Costa Thome (DocLisboa)Thomas Micoulet (Haut les Mains) MODERADOR:Luis Gonz\u00e1lez Zaffaroni (DOCSP) O Brasil no Mundo: O Cinema Brasileiro e os Mercados Internacionais | 09\/07, das 17h \u00e0s 18h30 Em um ano de muitas conquistas, filmes brasileiros foram destaques nas principais janelas do cinema no mundo. Da perspectiva internacional, dos festivais aos distribuidores, qual \u00e9 a for\u00e7a da presen\u00e7a da produ\u00e7\u00e3o brasileira nos mercados globais? SPEAKERS:Susana Santos Rodrigues (International Film Festival Rotterdam e Indie Lisboa)Francisco Zambrano (mk2 Films)Jacqueline Nsiah (Berlinale)Gerardo Michelin (LatAm Cinema) MODERADOR:Laura Rossi (MUV Capital) Em um ano de muitas conquistas, filmes brasileiros foram destaques nas principais janelas do cinema no mundo. Da perspectiva internacional, dos festivais aos distribuidores, qual \u00e9 a for\u00e7a da presen\u00e7a da produ\u00e7\u00e3o brasileira nos mercados globais? SPEAKERS:Susana Santos Rodrigues (International Film Festival Rotterdam e Indie Lisboa)Francisco Zambrano (mk2 Films)Jacqueline Nsiah (Berlinale)Gerardo Michelin (LatAm Cinema) MODERADOR:Laura Rossi (MUV Capital) Pol\u00edticas de Internacionaliza\u00e7\u00e3o do Audiovisual Paulista: Secretaria de Cultura, Economia e Ind\u00fastria Criativas do Estado de S\u00e3o Paulo, Spcine e Sebrae | 10\/07, das 12h \u00e0s 13h30 A ind\u00fastria audiovisual de S\u00e3o Paulo representa um dos polos mais consolidados e diversos de todo o pa\u00eds. Da capital, ao interior e ao litoral, encontram-se empresas e agentes econ\u00f4micos que fazem e fortalecem a ind\u00fastria criativa paulistana. De S\u00e3o Paulo para o mundo, este debate se debru\u00e7a sobre algumas das principais iniciativas para a promo\u00e7\u00e3o internacional do audiovisual. SPEAKERS:Marilia Marton (Secretaria de Cultura, Economia e Ind\u00fastria Criativas do Estado de S\u00e3o Paulo)Lyara Oliveira (Spcine)Nelson Hervey Costa (SEBRAE) MODERADOR:Luiz Toledo (Produtor, Filomena Produ\u00e7\u00f5es) A ind\u00fastria audiovisual de S\u00e3o Paulo representa um dos polos mais consolidados e diversos de todo o pa\u00eds. Da capital, ao interior e ao litoral, encontram-se empresas e agentes econ\u00f4micos que fazem e fortalecem a ind\u00fastria criativa paulistana.<\/p>","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-1168","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/2025.spaudiovisualhub.com.br\/en\/wp-json\/wp\/v2\/pages\/1168","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/2025.spaudiovisualhub.com.br\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/2025.spaudiovisualhub.com.br\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/2025.spaudiovisualhub.com.br\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/2025.spaudiovisualhub.com.br\/en\/wp-json\/wp\/v2\/comments?post=1168"}],"version-history":[{"count":97,"href":"https:\/\/2025.spaudiovisualhub.com.br\/en\/wp-json\/wp\/v2\/pages\/1168\/revisions"}],"predecessor-version":[{"id":1997,"href":"https:\/\/2025.spaudiovisualhub.com.br\/en\/wp-json\/wp\/v2\/pages\/1168\/revisions\/1997"}],"wp:attachment":[{"href":"https:\/\/2025.spaudiovisualhub.com.br\/en\/wp-json\/wp\/v2\/media?parent=1168"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}